Hoffman is similarly anĪrtist of insistent, creative fleshiness. Walt strains for fitness (as in the openingīall game), but grim lines tug at his mouth even before the strokeĬruelly accentuates them, and his performance subsequently squeezes His career (notably Raging Bull), and suits this role of The leads perform interesting variations on their screen personae.ĭe Niro is celebrated for the demands he has made on his body during Light and director of photography Declan Quinn ( Leaving Las Vegas)Īnd production designer Jan Roelfs ( Orlando) create the perfectĮnvironment for characters living separate lives in intrusive proximity.Įven in their confessional cups, Rusty and Walt choose to sit alongside Walt's apartment sits in sullen puddles of blue-grey Taxi Driver (1976) - Flawless displays the freakshow Like other tales of New York - Last Exit to Brooklyn (1989), Gangs ("I need some dykes!" squawks a nervous peacekeeper). Last night!" The violence forcing the plot may be monochrome,īut it's echoed in equally perfunctory clashes between rowdy drag An old dame greets Walt'sĪccident with, "You think that's bad? I didn't sleep a wink Jolts of inconsequentialityĭivert the film's inspirational progress. Strums songs of abandonment through a half-open door. In an arresting stylistic tic, Walt's neighbour The apartment block is a heartbreak hotel for the elderlyĪnd the oddball. Neither bursts into 'I Am What I Am',įlawless is a fractured picture, which is its most winningĪspect. More importantly, they share statuesque self-sufficiency, So Rusty, glittering in amber, teasingly comperes the cabaret atįemmes Fatales. Walt clears the floor with a slow-step at the Private Dancer bar, Is cluttered with powder brushes and photos of screen divas. Medal for bravery and celebratory cuttings, while Rusty's apartment Through paraphernalia - Walt lives among his dusty history, his To the strut and swoon of a tango soundtrack. Shumacher insists on correspondences between his protagonists,Įspecially in the sequence in which they prepare for a night out Rallies by thinking of "Grace Kelly in Rear Window". You?" Rusty, played by Philip Seymour Hoffman, also maintainsĪ wry commentary of movie references: during the final chase, he Walt, "You have a My Left Foot thing going on, haven't Its narrative of triumph-through-adversity when a dizzy queen assures Played by Robert De Niro, proves resistant to campery, and bracing To see the characters resist togetherness. John Grisham adaptation, may be the most convincing of his films,īut Flawless is enjoyable whenever the movie leaves its rails.Ī plot about stroke victim Walt learning song from drag queen RustyĬonjures up such unpromisingly twinkling scenarios that it's good Hurtles alongside irresistible sentiment, precarious command of Joel Shumacher's films are unsteady juggernauts. Rusty pays for the emergency treatment with the money earmarked He and Rusty fight off and shoot their attackers, but Walt is wounded. That night, hearing Rusty beingīeaten by the thugs, who suspect him of having their money, he intervenes. Walt recovers sufficiently to dance at his regular bar with a hostess In a dressmaker's dummy and can now afford a sex-change operation. Rusty confides to Walt that he has hidden the gangsters' money Well, and Walt meets Dusty's fellow drag artists. Despite their mutual suspicion, their sessions go With his neighbour Rusty (Philip Seymour Hoffman), a drag queenĪnd performer. In order to help his speech, he takes singing lessons He is partially paralysed and his speech severelyĪffected. Through the building in search of stolen money, Walt tries to interveneīut suffers a stroke. Walt (Robert De Niro), a retired security guard, lives in an apartmentīlock on the Lower East Side in New York. Our synopses give away the plot in full, including surprise twists.
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